1/3/2024 0 Comments Using spyderx with displaycalMany dedicated photography and video monitors have colour spaces built-in, and these can be accessed through the OSD (On Screen Display). Working in the correct space ensures that the colours of the video or stills you’re editing on screen are accurate. While we’re all well aware of the benefits of choosing the right camera settings, all that care and attention is often forgotten once we transfer those images and video to our computers. 709 using LUT, but that’s a whole other feature. 709 you’re going to lose a tonne of tonal information. It’s also important that you understand what and where the footage your shooting and editing is going to be played back. When it comes to video selecting the right profile is just as crucial as stills and will ensure the best colour, tone and contrast. For instance, on a Sony Alpha camera, you’ll need to delve into the Picture Settings. The issue is that working out what these colour modes are on your camera can be a real issue. 2020 in all its glory, but it’s worth knowing about as it will extend the dynamic range that your camera can capture video. 2020 which is HDR, it’s unlikely that you’re monitor will show Rec. P3 is closer to the present standard with a far wider colour space than Rec. However, it’s still a good default for standard HD and using Rec. However maybe a little old hat, and of course, we’re not all watching our video through broadcast mediums and TV. If you’re shooting video, then things get a little more tricky. Shooting in this colour profile ensure that your images capture as wide a colour space as possible and this will give you plenty of flexibility when editing. When it comes to stills AdobeRGB rather than RGB is the photographer’s default. But what if you care about colour, what profiles should you be using for stills and or video? The camera handles the intricacies of the different formats and colour profiles. Switching between stills and video in-camera is a doddle, just use the cameras mode dial to switch from one shooting mode to another. It’s no longer a case of us just shooting stills usually, a short video is bundled into the days shoot.įor information on all offers for the Datacolor SpyderX check out the website at From now on I'll be doing all my astro photo processing on the VA panel and all my terrestrial photos on the IPS panel.The demands on today’s photographers have rapidly increased. I believe this is because of the different panel technologies as IPS panels are know for having poor blacks due to bleed-through making images appear to have more of a light gray cast to them. Now the colors between the two are spot on although I do still see a difference in the blacks and dark grays. I have these two monitors right next to each other setup as a dual monitor display and I could always tell a rather large difference in color between the two with all photos, including my astro photos. The VA monitor, a Dell 3220DGF, was way off in the blues but grays and mid-tones were ok. This is apparently what drifts the most with IPS panels over time. The IPS monitor, a somewhat old HP ZR2440w which is known for having good color accuracy out of the box, was off a little bit in the red and green and very off in the grays, blacks, and white point. I ran calibration on two of my monitors, one a IPS and one a VA, and WOW what a difference a calibrated monitor makes. In Lightroom I do this by making a Virtual Copy so that I have my regular finished image, and a clone of it that is adjusted for printing.Īfter a long wait I just recently received my X-rite i1 in the mail thanks to all the slow downs with USPS. I save this corrected-for-print image as its own copy and send the image to the printer. I then make the needed adjustments to correct the image for printing. That will give me a close approximation of how the image will look when printed. I then load my finished image into the soft proofing module of Photoshop or Lightroom, and load the color profile. For example, I use an Epson Stylus Pro 3800 and paper from Red River, so I go to their support site where I can download color profiles for their various papers that are matched to my 3800. Professional paper sources will provide ICC color profile files for their papers matched with popular printers. Soft Proofing involves taking your image and applying a color profile that was generated from the combination of the specific paper and printer that will be printing the image. You can do this in Photoshop or Lightroom. Calibrating your images for printing involves a process called Soft Proofing. A Datacolor Spyder 5 is good for calibrating your monitor.įor prints, you need to do more than just have a calibrated monitor, which is just one requirement.
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